Nylons and Midriffs: East Coast, West Coast (November 20, 2019)

Nylons and Midriffs

As we round the corner toward the holidays, I find myself becoming a little burnt out from a tumultuous year for wrestling fans and journalists alike. We’re nearing Survivor Series, and it is usually after this pay-per-view that WWE starts to relent on their break-neck sprint through pay-per-views to end the year. But, with All Elite Wrestling only just coming off the heels of their first proper pay-per-view after debuting on TV, WWE may not have the option to slow down during the Most Wonderful Time of the Year.

That said, I think both promotions are doing great things with their respective women’s divisions. As with anything, though, there is always room for improvement, hence why we’re here week after week! First, let me discuss with you all the beauties (pun intended) that we’ve come across in AEW and NXT in these last two weeks.

The Good
AEW/NXT: I have many scattered thoughts about the excellent wrestling and storyline development I’ve seen in both promotions since I last wrote. I want to first talk about them individually, and then together to point out a coincidental — but positive — thing that both divisions are excelling at right now.

As far as AEW, I am pleased now that we are now entering a phase of television where we can see repeat characters on screen, with new women still showing themselves bit by bit. In the tag match featuring Jamie Hayter and Emmy Sakura versus champion Riho and Shanna, I got more of an idea of each woman’s persona and the stories that they try to consistently tell in their matches. This is what I’ve been wanting from AEW for the past few posts, is for a bit more story to be told with a level of continuity. I absolutely loved the sequence between Riho and her former trainer Emmy to end the match; so smooth and amazing I was actually yelling at my TV in awe watching their grace! I am sad to say that I was unable to see their meeting at Full Gear, but if it was anything like what we saw in that match, I am positive it tore the house down.

In other areas of the division, we saw the return of Nyla Rose and Awesome Kong, the former of which I was beginning to get worried was only used as a diversity trophy of sorts for Dynamite’s big premiere. Seeing both of them return on the same episode of Dynamite made me realize that, just by their shared presence in the division, AEW’s women’s division may be more believable than WWE’s. For example, if Nyla Rose were to ever win the women’s title, she would have believable competition in her weight class to challenge her in the form of Awesome Kong.

Nylons and Midriffs: War and Peace (November 6, 2019)

Nylons and Midriffs

Image credit: newsweek.com

It has been a bittersweet couple of weeks, friends. I feel very conflicted, seeing both the highest of highs as far as women’s wrestling, as well as lowest of lows as far as some of the problematic developments since the previous edition of Nylons.

My suitcase is full of thoughts, so let us start unpacking them together.

The Good
NXT/AEW: I am still enjoying the women’s wrestling of All Elite Wrestling, even if it is few and far between (more on that in the next section). Right now, I feel that with each new woman that shows her face on weekly TV, I’m getting a deeper sense of the holistic identity of their women’s division. Every woman seems to have their own style and in-ring presentation, that makes each woman distinct in a way that’s different than WWE. It feels almost reminiscent of WWE’s Attitude Era in that the women feel like independent and unique entities that choose to compete for a specific company, rather than a company trying to mold them into a specific shape or brand, like NXT intends to.

If you watch WWE long enough, you figure out that their ultimate goal (and some would argue, particularly with NXT) is to make each wrestler signature to their own brand and style. It’s all about getting wrestlers to assimilate to WWE’s specific presentation of “sports entertainment.” WWE acts as a parent that tells you, “You’re free to express yourself — just not like that.”

In AEW, it genuinely feels that the women are not constricted in that way. They feel fluid and rough around the edges. And that, so far, is what I really like about their women.

As far as NXT? OH BABY. For the women, NXT had a near-perfect two weeks. Let me just talk a little bit about each of the best things we saw.

Nylons and Midriffs: Women of the Hour (October 23, 2019)

Nylons and Midriffs, Works-In-Process

Image credit: si.com

My oh my, friends. In a matter of two weeks, the landscape of the wrestling world (or rather, WWE & AEW) is rapidly changing before our very eyes. We just witnessed a draft on RAW and Smackdown, and new challengers for the NXT women’s championship have announced themselves. Also, we’ve seen a couple of new faces in the women’s division on AEW, adding a few more pieces to the mysterious puzzle for this new fan.

Moving forward, I’ll be breaking up Nylons into two sections: NXT and AEW side-to-side, and WWE’s flagship shows as one. While I certainly respect and appreciate the differences between AEW and NXT, it only makes sense to consider them simultaneously, as they are primetime rivals and seek to offer wrestling fans very similar flavors. At the same time, RAW and Smackdown have always seemed to exist in the same universe, although I’m not sure if that will change with the draft and “rivaling” networks brought into the fold.

Let’s begin with the delicious morsels that the Wednesday night shows have given us the last two weeks.

The Good

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AEW/NXT: I feel that the last weeks were neither truly good or bad for either show, but pinpointing one positive across both is that it seems like storyline progression is happening. For AEW, we see a friendly rivalry between champion Riho and Britt Baker forming, with a title match last week that in my opinion proved Riho to be a crafty and adaptive defender in the ring. The week before last, we also had secondary characters emerge in the form of Bea Priestley and Emmy Sakura, the former of which looking to be a future opponent for Britt Baker. The next few weeks will clue us in to whether or not AEW can be trusted to develop women’s storylines outside of the main title picture, a skill that WWE in this era has fallen short with. But, for the time being, things are looking promising for the upstart promotion.

As for NXT, I have to say that I am impressed with the depth of the women’s division displayed over the course of the last two weeks. I can count on more than one hand the amount of women active on NXT TV on at least a biweekly basis, as it should be. I was awestruck this week when I saw Rhea Ripley for the first time. Her size in comparison to her peers demanded my attention, and her squash match with Aliyah (ending with that insane figure-four-pumphandle slam thingy) was exciting to see. Monsters are so rare in the women’s division, and Rhea seems to be the kind that can both believably dominate, but also be defeated by gutsier opponents.

Image credit: reddit.com

I continue to be impressed with the diversity of the women’s division of NXT; no one woman seems to be a carbon copy of another. So far, if we’re grading on visibility alone, I would have to give the edge to NXT. Now, work on getting the main shows up to speed, WWE!

RAW and Smackdown: Bayley! She was the knight in shining armor for me in the wake of the draft. Doing a complete 180 from Hell in a Cell to the first edition of Friday Night Smackdown, Bayley has completed her heel turn with the destruction of her beloved Bayley Buddies. The promo that she cut on last week’s Smackdown was first class, and there was a kernel of truth in the majority of her assertions.

Image credit: prowrestlingsheet.com

What resonated the most was her saying that she was tired of letting her cookie-cutter gimmick define her, hinting at the stagnation she likely felt with her babyface character. The videos of young fans sobbing as they watched their hero abandon her happy-go-lucky personality really made apparent the impact of Bayley’s turn, and the pure shock that fans can feel when our sense of familiarity with certain characters is ripped away.

Not only this, but possibly the coolest thing about Bayley’s turn is that she seems now to be more authentically herself. Pamela Martinez, the person, has a punk, skater girl style, and listens to alternative rock like that of her new entrance theme. I got the sense that she now feels a little more at home being able to break free creatively, but also be a little more of herself. I look forward to seeing what Bayley and her bob hairstyle will do next!

The Bad
AEW/NXT: After three weeks of AEW on TNT, I am still disappointed to see only one women’s segment per show. I’m confused as to why we aren’t having as many showcase-type matches for the women as we seem to have for the male stars every week. I am unsure at this point if this is because of a small number of women currently signed with the company, or if they are simply prioritizing the men right now. But, I do know that it needs to be addressed before habits form in formatting the shows every week. Allocating space for the women early on in the company’s history will prevent the inequalities in the women’s division that we so often see in established promotions.

Having good wrestling with a few women can only take the division so far. If the stars align correctly, I do believe AEW’S women’s division could be more interesting than NXT’s. But, people want options for our favorites. Give them to us.

In NXT land, a critique that has emerged for me is this: why is Shayna Baszler still champion? In watching the product for about a month now, I can’t find anything discernibly different about her in comparison to her peers. WWE seems to have a hard-on for “combat” level athletes who have histories in MMA. Even still, they only favor some of them.

For the women, it seems that they push the more masculine-leaning of these MMA-types. To me, I think there’s a logic (and potential crossover appeal to male audiences) behind pushing Ronda Rousey over Sonya Deville, or Shayna Baszler over Taynara. It seems they want to push the women who look more intimidating in real life, walking down the street, who scowl a little more convincingly, over women who are in other contexts coded as more “cute.”

Image credit: pinterest.com

In any case, it seems that the reason Shayna has held the belt for so long has less to do with her look and accolades in MMA, and more to do with the fact that they have not built other women to her level (sort of like how Ronda was on the main roster, with the exception of Becky).

And even this fact is surprising, because it seems like there is plenty of talent on the NXT women’s roster. All they need to do is pick a woman and run with her. And do that with the next one, and the next. And suddenly you have a roster of stars, rather than a sky with only a few twinkles.

RAW and SD: I’m not even sure where to begin with this storyline, but whatever is going on with Lana, Bobby Lashley, and Rusev is….weird. And bad. It is out of left field, and I can’t pinpoint the malice that potentially lies behind this storyline.

Image credit: news-of-the-day.com

There were rumors in the past about how Vince McMahon didn’t like Rusev because he could not fathom how someone as “unattractive” as Rusev could snag someone as beautiful as Lana. So maybe this storyline is his attempt at taking a jab at Rusev, his way of writing his own fan fiction of who Lana should have ended up with. Maybe this is his way of turning Rusev into the “cuck” he thinks he deserves to be. (Please see this video to learn about the racist and sexist roots of the word “cuckold.”)

Or maybe it’s an excuse to sexualize Lana. Take your pick, but honestly none of these reasons are good. Lana and Rusev on screen have unmatched chemistry because they are real-life partners, and to do this just seems like drama for the sake of drama.

I hope we find better things to do with the both of them soon. But particularly for Lana, who is not that great in the ring; it would be a shame to jeopardize her popularity with fans because someone in the back wanted to prove a point, or live out a sick fantasy in storyline. We can and should strive for more, and I hope miss CJ Perry is able to achieve that one day soon.

The Thorny
For a change of pace, I’m not going to write anything for this section, because I feel it is too soon to tell where the true insidious patterns are developing in both WWE and AEW. With AEW still in its infancy and the draft causing us to see WWE’s main brands anew, I consider the last two to three weeks to be a hard reset of sorts.

Things are slowly building, so I am going to give the benefit of the doubt and allow things to play out. For now…

***

Until next time!

Stay legit bossy,

AC

Nylons and Midriffs: All You Can Eat (October 9, 2019)

Nylons and Midriffs

Image credit: prowrestlingsheet.com

A whole new woooorld….a whole new place I never knew…..

It is certainly a whole new world for you and me, and watching the two sides of the Wednesday Night War last week got me excited for this world’s potential.

Because WWE did just have a pay-per-view, though, we’re obligated to discuss what went down. Likewise, because I watched both NXT and AEW for the first time in the last couple of weeks, I have many thoughts to share about those products as well, as a new viewer.

So I think it best in this post if I run down the pros and cons of NXT versus AEW, as well as HIAC. Lastly, rather than finishing with the usual Thorny section, I wanted to end with a little hope for the future of women’s professional wrestling as we know it. We’ll call that, the Revolutionary.

Let’s crack on!

The Good
AEW: I have quite a few general thoughts about All Elite Wrestling’s first TV airing in general, but we’re here every week to talk about the women. And, the first thing I want to address has almost nothing at all to do with the wrestlers: the female referee. Although I am pretty sure one or two female referees have been introduced in WWE, I have yet to see one on their main shows, RAW and SmackDown. As this female referee was officiating on Dynamite, she was praised by the commentary team as an expert at her job. She was also involved later in a pull-apart brawl later in the episode between male wrestlers.

Image credit: Facebook.com

I couldn’t put my finger on why at the time of viewing, but the fact that she was actually acknowledged as female, and proficient in her work, felt significant. Referees often get a bad reputation as conveniently incompetent officiants to matches, ignored until their miscues need to drive storylines forward. But, in the wrestling world, they still hold a fair amount of power to call matches down the middle. And if they’re really good at doing their jobs, they can rise to the reverence that people like Earl Hebner has. An unexpected delight in the first TV match of this new promotion!

Also, I was shocked and elated to see that the match to determine the first-ever AEW women’s champion was between two women of color. Not only this, but women of two extremes size-wise — a plus-sized Native woman in Nyla Rose (more on her later), and a diminutive Japanese woman in Riho. In the American wrestling market, the sizes of these women are marginalized. But in AEW, they seemed to find a home.

NXT: I absolutely loved the women’s matches that I saw in the last two weeks. On the whole, I was struck by how prominent feminine energy was in NXT compared to the main roster (if we can still call it that). The women usually have multiple matches and/or segments in a single episode, and such a thing happens seemingly intentionally. On the main roster, it feels much more like women are the final touches to the night’s show, rather than a thoughtfully considered component.

From top to bottom, I saw everything that the men get showcased for women: matches, return packages for those who’d been injured, championship matches, quick backstage bits. Additionally, we have Beth Phoenix on commentary where, unlike Renee Young, she is actually allowed to speak without being belittled by her male cohorts. We even have a black, natural-haired ring announcer. All of these things made apparent to me that the women’s division of NXT has depth. There is a main event made up of champion Shayna Baszler and whoever she is feuding with, a mid-card of future women’s champions like Mia Yim, Io Shirai, and Bianca Belair, and even a lower mid-card of women who perhaps won’t be champions one day, but still add to the division, like Taynara.

Image credit: kimberlasskick.tumblr.com

Because I was simply exposed to more women, I am probably more excited to see the women’s division of NXT week-to-week. The standout star for me was Io Shirai. She had me hooked from her electrifying entrance, but kept me interested with her excellent heel work and in-ring prowess. I do believe NXT has stars in its ranks.

Hell in a Cell: I mean, undoubtedly the opening match between Becky Lynch and Sasha Banks for the RAW women’s championship.

Image credit: akahinews.com

This bout was beyond inventive with the spots that these two ladies pulled off. To name a few: Sasha’s various meteoras to Becky (onto a ladder, through a table), Sasha’s planting of a chair trap in the Cell early in the match to thwart Becky toward the finish, and Becky’s innovative chair-on-a kendo stick dropkick to a seated Sasha in the corner of the Cell.

This match was exciting from start to finish — well, almost to the finish (we’ll get to that). But this match stole the show and once again made a case for the women deserving a main event spot. There’s really not much else to say about this match besides this: go and watch it! Potentially one of the greatest Cell matches ever, but definitely of the modern era.

The Bad
AEW: The only negative thing I can say about AEW based off a singular episode is that there was only one women’s match to consider. Because I am starting from scratch with AEW, I am unsure of how many women they currently have signed with the company. From what I hear, their women’s division so far is obviously more sparse than WWE’s, but it has potential and diversity. I am hoping that Dynamite can showcase depth with their women’s roster, to help female fans (or fans of women’s wrestling) see themselves in the product.

This is a crucial time for AEW to appeal to the audiences they want to attract, so if they want to prioritize the female demographic of wrestling fans — ever “niche” as it may seem — they must do so early and often.

NXT: Honestly, from what I have seen, I have nothing bad to say about the product thus far! One thing I can nitpick is that it is obvious where the women of color in WWE are allowed to thrive. Clearly, a metamorphosis happens to the women’s roster from NXT to the main roster, in that the image of “woman” in WWE becomes less randomized and more blonde and white. If anything, this was the most infuriating realization I had watching NXT weekly TV for the past few weeks.

Hell in a Cell: The booking of the RAW women’s title match was wrong. There is no reason Becky needed to win on Sunday, and it should have been Sasha. Full stop.

Becky would not have been hurt by a loss. Sasha would be. Becky did not need another win to cement her status as a top woman in the women’s division. Sasha did. Sasha needed this win, to legitimize her return, her heel turn, and redeem the last several months (or really years) of careless booking. It is tiring to see Sasha perpetually used to put over other women in the division. She has faced off against each of her Four Horsewoman counterparts, and in each feud, she seceded the win to her opponent. In most of the biggest matches of her career, she has had to do the favor for someone else. (No really, think about it.)

Image credit: lordsofpain.net

And when it possibly counted the most, WWE dropped the ball again. The news has since come out that she is potentially injured, so I suppose her losing was for the best. But the decision to have her lose was likely made prior to her injury occurring, and thus a decision WWE made of sound mind and body themselves.

And to add insult to yes, injury, Bayley also lost her title on the night to Charlotte Flair. While the loss for Bayley doesn’t have the high stakes that Sasha’s does, the two are still interconnected. So, their double-loss on Sunday (and their voyeuristically filmed tears about their losses) nullifies any momentum the two of them had going, together and individually.

Put simply, I don’t know where we go from here for Boss n’ Hug. And I don’t have confidence that WWE does either.

The Revolutionary

Image credit: app.com

I wanted to take a break from my usual pessimistic self to discuss something that made me very emotional upon discovering it for myself; something that made me feel utter joy.

I was watching AEW, and as each wrestler went on, I did a quick Google search to learn a little more about who they were. I searched Nyla Rose as the women’s match went on and, after glancing at her Wikipedia page, I noticed some recent news articles about her. I saw the word “transgender,” I investigated. And suddenly I realized the weight of Nyla’s existence in AEW.

For those not aware, Nyla Rose is the first transgender wrestler to be signed by a major wrestling promotion in the U.S. Immediately, I thought back to Patricia Arquette’s recent speech on the Emmy stage, wherein she implored Hollywood to hire trans actors and end the stigma surrounding trans folks’ existence, referencing her fallen trans sibling, Alexis.

And here was AEW, in reality, Cody and Brandi Rhodes, giving a trans woman a job. Without any fuss, without parading it or shoving it down our throats. Without expecting a pat on the back. And that is significant. As any “first,” especially with a doubly marginalized identity as a First Nations, trans woman, Nyla will face hatred and bigotry.

But, there must always be a first for there to be a second. And third. And tenth. And the door was opened for Nyla and any other trans person hoping to one day wrestle in the division that so matches their identity.

Nyla in interviews has already acknowledged some of the pressure that being the first entails. She said the following in a panel interview with other AEW stars:

“I’ll be so happy when we get the point where it’s ‘Nyla did something’ and that’s the headline. That’s where we gotta get. If I could help get us there, I don’t mind driving the car for a little bit. I’m used to these long road trips.”

With Nyla driving for now, we’re certainly on our way somewhere.

***

I’m rubbing my proverbial hands together at all of the wrestling I can consume on a weekly basis. At last, I don’t have to settle for a one-course meal; I, like you reading this, can buffet to my heart’s content now.

Let’s toast to that, shall we?

Stay legit bossy,
AC

Nylons and Midriffs: There’s a Storm Coming (September 24, 2019)

Nylons and Midriffs, Reflections on AAW

Image credit: WWE’s YouTube

Although many associate the cliched film line “there’s a storm coming” as a bad omen, in the context of the wrestling world at the moment, the storm in question could be stirring positive changes for women’s competition.

The women’s matches at Clash of Champions were for the most part good, and NXT made its debut on the USA Network with an impressive women’s bout. We are so close to All Elite Wrestling’s TNT debut, as well as Smackdown’s move to a new network (FOX) and Friday nights. To top it all off, there is a draft looming for both WWE brands that will shake things up, no pun intended.

Everything is changing, and this critic is trying her best to keep up with it all! For now, I will unpack the most recent pay-per-view and WWE shows of the last two weeks. Starting with the next edition of Nylons, I’ll begin to incorporate the NXT women’s division into the mix.

But until then, let’s talk about things the way we always have; one last time before the storm hits.

The Good
Clash of Champions: Both women’s championship matches were great in their own respective ways. Bayley vs. Charlotte did what it needed to do: establish Bayley as a sneaky heel, and allow her to keep her title as she deserves to. Charlotte didn’t need the win here, and to see her lose so abruptly was refreshing to see, as Charlotte’s matches seem to always progress at her pace.

Image credit: independent.co.uk

And of course, Becky vs. Sasha was probably the match of the night. Despite how I feel about the booking (which we’ll discuss in the next section), the match was entertaining, particularly during the crowd brawl portion of the match. It especially fit Becky’s character, as a brawler who is ready for a fight no matter where the location. Ultimately, it seemed like this match was more of a preview for what these two women can (and likely will) do to each other in Hell in a Cell.

RAW and SD Live: Continuing with Four Horsewomen excellence, the tag match between Sasha/Bayley and Becky/Charlotte was as great as expected. I’ve already sung the praises of these women last week, but I will say that I hope the matches that the four of them have together continue to be treated as special for as long as all of them are in WWE. Because they deserve it.

Also, more generally, I am always glad to be seeing more women’s segments on weekly TV — at least for RAW. But, even still, on Smackdown last week we were treated to a nice surprise in Carmella seemingly returning to in-ring action. I would be very interested to see Bayley wrestle Carmella, as it is a different pairing with styles that I think will coalesce well. Hopefully with the upcoming draft, more women begin to pop up and make their intentions known.

Lastly, while I know I said I wouldn’t discuss NXT, I did want to mention briefly how wonderful that women’s four-way was last Wednesday! So good to see women really vying for victory and performing creative sequences of moves. I find it peculiar, however, that in a match with only one white competitor, that it was she who happened to win. Disappointed, but not surprised, I suppose.

The Bad
Clash of Champions: My main issue with Clash was the booking of the RAW women’s title match. Particularly, what they did with Sasha Banks. I know Sasha has returned and proven herself to be a nasty, chair-addicted heel. But, Sasha is and always has been a cunning heel, meaning that she uses her wits to create advantages for herself in the ring. It doesn’t make sense for Sasha to sneakily use a chair in a match, only to brazenly throw one into the ring just minutes later. Why would a heel throw a chair into a match in front of a referee’s face? The scenario is a lose-lose: if Sasha uses it, she is disqualified and Becky wins/keeps her title. If Becky uses it (which she did), Sasha wins by DQ, but does not win the title.

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Why would such a strategic, forward-thinking heel like Sasha endanger her chances of victory for a few moments of cathartic abuse toward Becky? Win the title first!

Not only this, but I felt that Sasha was booked pretty weak in this match. Outside of a few flurries of offense in the ring, Becky was fairly strong both in the ring and during the brawl in the crowd. Then, she beat down Sasha with the chair after the match was called off.

The two will wrestle again at Hell in a Cell, but Sasha must win this match to keep her credibility intact. That match will be the test of what, if anything, has changed with the way WWE sees The Boss.

RAW and SD Live: In the last two weeks, two things jump to mind for this section.

The first is the tired cliche of the female bully. Mandy Rose is back to her old tricks, insulting her opponents’ attractiveness based on subjective standards of beauty. She recently called Nikki Cross “ugly,” and in addition to that simply not being true, it further proves that WWE’s writers (or executives, ahem Vince) believe that calling a woman ugly is the most heinous thing you can do to ruin her self esteem. And further, that a woman’s inherent value rests on her beauty.

And while they are unfortunately correct (as women largely still feel societal pressure to be pretty), that does not make Mandy’s heel persona any more palatable. If we’re to believe that the competitors of WWE, in kayfabe, believe that they are competing in a legitimate sport, why would a woman’s attractiveness have any bearing on her self-worth? Maria Sharapova could call Serena Williams ugly until the cows come home — but that won’t stop Serena from whooping her anytime they compete against one another.

Image credit: WWE.com

I am glad that Nikki got the one-up on Mandy so hopefully this “feud” can end. In short, I just want the women to be less petty to one another. Honestly, who cares how you look when the name of the game is beating the crap out of your opponent?

The second item is the tag team match between the members of the 4HW. Now, I know what you’re thinking: That match was fine!

I know it was. It was more than fine. It was great.

Why then, was it not the main event?

This match was the only one truly hyped prior to the week’s RAW. We were convinced to tune in because of it. ESPN published a beautiful interview with all four women ahead of this marquee match at Madison Square Garden. All four women have the talent and charisma to carry a main event, as all of them at various points in their respective careers have.

Image credit: WWE.com

But their match was stuck in the middle of the show. Why? Because the men in the back decided that an MSG show needed to end with Stone Cold cracking open a few cold ones with the boys. A masculine end to a show in WWE’s “spiritual home.” I’m yawning.

As much as any child of the Attitude Era loves Stone Cold, I found myself disappointed that WWE slighted their four biggest female stars that deserved a main event for a giant men’s tag match assembled on the actual show itself. It would have been subversive to finish a show in such a historic setting to WWE’s history with women. I think it would have been symbolic to how far the company has come. But even when the stars can’t shine any brighter for the women, the men will still more often than not get the last word.

The most annoying part of all is that by pimping this tag match so far in advance of the show, and actually pulling mainstream media into the mix, WWE proved that the women often times are useful only insofar as they give the company cheap PR. They were good enough to hook viewers in, but not to reward with a main event spot.

I hope that one day the Horsewomen get the main event spot they all deserve, together.

The Thorny
What I want to talk about in this section is something I’ve been trying my best to avoid week on week, hoping maybe it would disappear if I ignored it just hard enough.

There has been an ongoing storyline between Maria Kanellis (Bennett) and her real-life husband, Mike Kanellis (his actual surname being Bennett). Over the last several months, Maria has been written to essentially degrade her husband by “emasculating” him. I put emasculate in quotes because I personally do not believe a man can be emasculated — the word implies that masculinity is taken away, presumably when someone does not allow a man to dominate in any type of relationship. A man being knocked down a few pegs metaphorically is something that many men in life should embrace more, as doing so is something that women are asked to do everyday, often multiple times, by men themselves. Women are expected to exercise daily the traits of humility and vulnerability, things that society have coded as somehow inherently feminine, and in turn emasculating if men should be forced to practice them by someone else.

As fans, we are supposed to interpret this dynamic as Mike being pathetic, weak, and emasculated. Conversely, we are supposed to read Maria as a praying mantis, a Medusa who gets off on asserting dominance over men. Sometimes, this portrayal can be interesting, as long as it doesn’t go too far.

But as Maria berates Mike in the ring, tells him he isn’t a man, and generally embarrasses him in front of thousands of people, I’ve finally decided what we are watching is not entertainment. We are watching abuse. That is what Maria is doing to Mike.

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Maria is emotionally and verbally abusing Mike in every interaction with him. She dangles love and affection in his face only to snatch it away if he does not meet her expectations. She talks down to him for seemingly no reason. And we’re supposed to be laughing at Mike, but I have yet to see any person “get” the joke.

Especially for a man who has battled addiction with such vulnerability outside of the ring, it seems like a sick joke by WWE to subtly weaponize his real-life vulnerability against him in a storyline.

It would be one thing if WWE were critical of this in-storyline. If they used the word “abuse” and named Maria as an abuser, there would be a point to this. WWE is not doing this though, and are fairly uncritical of how Maria treats Mike as part of a larger behavioral pattern. Instead, it seems like the storyline is meant to make both husband and wife unlikable: Mike playing the role of “cuck,” and Maria playing seemingly a power-hungry feminist who we are supposed to see as masculine herself.

And ultimately, I just…feel sorry. For all involved. Both of them deserve better than what they are being given. You have to wonder the price that WWE paid to keep them, and if the Bennetts see that price paid as worth it in the end.

Abuse is abuse. Let’s not normalize or minimize it because a woman is the perpetrator.

***

The storm watch is now on! I have to re-wire my entire brain to accept four different weekly wrestling shows into my TV viewing schedule. Double the wrestling to work with, and hopefully double the rewards.

Stay legit bossy,
AC

Nylons and Midriffs: Four Horsewomen of the Apocalypse (September 9, 2019)

Nylons and Midriffs, Works-In-Process
A backstage photo of the Four Horsewomen at WWE Evolution. Image credit: jimdrugfree.tumblr.com.

Well, well, well. The more some things change, the more they stay the same.

The Four Horsewomen are finally clashing all at once on WWE TV, and I, like many fans, feel like a kid in a candy store. The four most beloved and polarizing women in the company will be facing off in pairs for the first time since they were all called up to the main roster, next Sunday at Clash of Champions.

There are many good nuggets to get into this week, but underneath those morsels, I still feel that something is missing. We’ll get into what I think that somthing is in a bit.

The Good
For those that may not know, the Four Horsewomen — or 4HW as many internet fans abbreviate — are not an actual stable. Unlike the original Four Horsemen in WWE (Ric Flair, Arn Anderson, Ole Anderson, and Tully Blanchard), the Four Horsewomen are simply the four women that, in their NXT days, fans hailed as the cream of the crop of the women’s division. Given Charlotte Flair’s obvious connection to the original group through her father, she carries on the legacy of the name with a new feminine energy. She is joined in this elite class of Superstars by Sasha Banks, Bayley, and Becky Lynch.

While they have almost all feuded at some point in their WWE careers, WWE was careful for years to keep them separated by the two brands. And, if they were to feud, they were sure to not have the two feuds going on at the same time.

But the planets have finally aligned, and Sasha Banks’ return has landed her back in the title picture to challenge Becky, simultaneous with Charlotte challenging Bayley.

These feuds land here in the “Good” section because, simply put, any combination of these women together create magic. On the mic, in the ring, it doesn’t matter — seeing all four of them vying for women’s gold at one time is just a reminder of how talented and unique each of them are. There’s something about their chemistry that just makes their feuds with one another feel personal. They gel together, and that makes their interactions so satisfying to watch.

The cherry on top of this is Bayley’s heel turn. I like that WWE is allowing continuity in their characters by allowing history to dictate a Superstar’s actions. In storyline, as long as Bayley is friends with Sasha, there wouldn’t be any reason for Bayley to stay babyface when her best friend has turned evil. Especially given the context, Bayley was slighted in the same way Sasha was back at WrestleMania. Just because Bayley chose to stay on TV in the months that followed doesn’t mean that her wounds from that night have healed.

Image credit: Sasha Banks’ Twitter (@sashabankswwe)

The writers are recognizing that Bayley and Sasha are two different people who will ultimately still act different ways in the same situation, but that their bond won’t be destroyed by this fact. If you think about it, that is one of the truest signs of friendship. Some of the most interesting relationships are not those where the two people are the same, but those where the two people are starkly different from one another, so as to compliment each other’s qualities.

With all of this in mind, I am excited to see the women’s title matches at Clash of Champions, as well as the tag match announced for tonight’s RAW pitting Sasha/Bayley against Charlotte/Becky. It seems like the writers are pulling out the red carpet for these ladies; here’s hoping they have long-term plans in mind.

The Bad
Thinking about Bayley’s heel turn, the one negative thing I can say about it is that I almost wish it didn’t have to be connected to Sasha in any way. I think both Sasha and Bayley could have used the space from each other after their often-disappointing run together in 2018. Sasha and Bayley can stand alone, and for Bayley in particular I think we were finally starting to see a fire in her belly as a face that had been long distinguished. I think Bayley could have continued being that valiant babyface and build her own name outside of Sasha. Meanwhile, Sasha could have continued to solidify herself as a trifling heel outside of Bayley’s cookie-cutter persona.

While I ultimately like their rekindled alliance, I do think it needs to be short-lived. Shoving their partnership down our throats is what made both of them stale in the past. We need a fresh take on them as singles competitors so that they may reach their fullest potential in that avenue. Even if their partnership is leading to another run with the women’s tag belts, I do not trust WWE to be able to multitask in focusing on both their singles and tag team identities.

There is nothing else to do but wait and see how things turn out between the pair of them.

The Thorny
There isn’t much Thorny for this week, but similarly to last week, I am still left wondering where the rest of the women outside of the title pictures stand. With Nikki Cross and Alexa Bliss as women’s tag champs, we are seeing those titles more on TV. We even got a setup for a match between the champs and long-standing tag team Fire & Desire, or Mandy Rose and Sonya Deville. And that’s good…I guess. I personally would rather see the Kabuki Warriors challenge for the titles as they were supposed to in the past, but I suppose forward is still a direction for these titles.

Image credit: f4wonline.com

I am glad to see Sonya and Mandy being pushed as a no-fuss tag team. The writers have seemingly tossed any dissention between the two out the window, and the two are now simply a tandem. Their finishing move also looks super rad.

I still feel a pang in my stomach, though, and it is for the women that still go unseen more often than not. Carmella, Ember Moon, Naomi, Asuka, Kairi Sane, Paige, Lana — all missing.

Image credit: WWE,com

Not only this, but the only women of color featured regularly on WWE TV right now are Sasha Banks and Bayley (assuming the good possibility that she is Latina). I won’t even count Zelina Vega, because we don’t see her client Andrade on TV as much as we should, so in turn we are deprived of her as well.

I want the other women to feel worthy even if they are not contending for a title. Although on the whole it is becoming less common, male characters are still allowed to feud or even exist on TV without a title being the central conflict of their interactions. You have storylines like those with Roman Reigns, Rowan, and Daniel Bryan, and characters like Elias who entertain us. The men have King of the Ring to keep them occupied. Why can’t the women be seen for no reason at all, just like the men are?

Women will not ascend to equity with the men if their presence is only allowed when they have a “reason” to be there. Women can exist to take up space. Women’s stories don’t need a reason to be told. They can just be told.

***

I was discussing with my husband which of the 4HW would be each of the four horsemen of the apocalypse. My choices were: Charlotte as Famine, Sasha as Pestilence, Becky as War, and Bayley as Death. He had Charlotte and Becky switched, but I’m curious: who do you think embodies each of these divine prophecies?

I am looking forward to seeing which elements will conquer at Clash of Champions.

Stay legit bossy,
AC

Nylons and Midriffs: (Almost) Having It All (August 26, 2019)

Nylons and Midriffs

With SummerSlam in the rear view, we are effectively entering the end of the year, folks. The last quarter of the year is usually when the wheels start to fall off for WWE, but with competition on the horizon in the form of All Elite Wrestling’s weekly TV beginning in October, we may see the start of something entirely new in WWE.

There are a handful of things to celebrate over the last couple of weeks as we’ll discuss, but there are still some questionable decisions being made as they relate to the women.

Let’s talk about it.

The Good
I am going to let my bias take over for a few minutes. Sasha Banks is back!!!

GIF credit: wrestlingforum.com

As a fan of The Boss I was devastated that I actually missed her return live. But, a return is a return, and boy howdy did the women’s division need it. It was clear that without Sasha there a dearth was left in the main event scene, and Becky needed a worthy challenger that could bring out the best in her character. We’ve seen that Becky is on top form when her foil is also an elite level performer, and there are few others that have established themselves like Sasha has.

We’re only two weeks into this feud and Becky has already cut one of the best promos in her career, sprinkling in dashes of the reality about Sasha’s absence in her signature, intense style.

[youtube https://www.youtube.com/watch?v=ao-3Us6L1dw&w=560&h=315]

Sasha returning as a heel also unlocks a depth in her character that was missing in the years that she was a face: the return of her edginess should allow her to have more creative control over her persona.

I am hesitant to get my hopes up for positive outcome for The Boss, as history has shown that banking on her is a fool’s game. But, if WWE does this right, fans could finally be given a memorable reign from a Superstar that has more than paid her dues. And perhaps the woman herself will receive the payoff for believing in herself and demanding more.

In other news, Becky Lynch is engaged! The Man and her man, Seth Rollins, made it official on a rocky beach in a remote location on August 22. Unexpectedly, I was elated by this news. Obviously for Becky and Seth, who are honestly a fan’s dream power couple — but also for the implications of their engagement.

Seeing a woman as powerful and on-top-of-her-game as Becky get engaged was affirming for young, married women like me. While it certainly is not the same as being a working mom, working wives are still a marvel in their own right. In the context of WWE, it is hard for me to recall many women at the top of the division historically who were married at their peak. Feel free to let me know in the comments some examples of married women in their prime in WWE, but I feel that in the past it was more common that women either were single while at the top, or kept their relationships private.

But now, in the age of social media, it is almost more common than not to learn that a female wrestler is married to one of their peers. Women are being open about their relationships, and in turn showing women everywhere that if you are in a heterosexual relationship, you don’t have to hide behind your husband. You can strive for just as much success and shine as your husband, and in Becky’s case, do it alongside him.

Here’s hoping that WWE doesn’t use her soon-to-be-wifely status to diminish her star power.

Lastly, there is potentially exciting stuff to look forward to with NXT coming to cable TV and AEW starting up on TNT in the next several weeks. What many fans are calling the Wednesday Night Wars could spell positive things for female representation. Competition may force WWE to highlight more of their women in the main event and tag team scenes, and to make the NXT women’s championship feel equal to the men’s championship in importance.

Both companies have some of the best female talent on the planet at their fingertips — and their rivalry could force both of them to create a signature women’s style all their own.

I am excited that women’s wrestling will be accessible to more people, and that I personally will be able to diversify my palette with my cable package. A rich selection helps all of us, including pop culture writers like me!

The Bad
The bad for this week is nothing that I haven’t discussed before, so I’ll keep it short. Charlotte Flair is in the title picture…again. Sigh. I simply don’t understand how WWE executives don’t tire of having the same exact person constantly vying for the women’s title.

A small part of my brain is gleeful that we are getting the Four Horsewomen feuding in pairs on opposing brands (what a time to be alive!). But still, I am more than over Charlotte competing for gold. Please give her something else to do. Please give other women a chance to be great.

Image credit: wwe-news.com

The only saving grace of Charlotte’s feud with Bayley would be if she actually lost. It would certainly solidify Bayley as formidable, giving her credibility as a wrestler she is still in the process of gaining back. I guess the result of this feud will truly tell us how over she is with the powers-that-be.

The Thorny
And connecting to the previous point, I found myself in a bit of a conundrum this week. As I was recalling the events of the past two weeks’ RAW and Smackdown Live, I contemplated for several minutes trying to remember if anything of note even happened in the women’s division, outside of the main event feuds. I went back and reviewed results and recaps and found myself correct in my assumption that nothing really happened.

Which brings us to this question: where are the women?

Where are they!

Image credit: thefanboyseo.com

How is it possible that we are going entire hours of TV without seeing a woman? Why don’t we have the likes of the IIconics, Naomi, Ember Moon, Asuka, Kairi Sane, Carmella, and Sonya Deville wrestling on a weekly basis?

It is flabbergasting. All of the aforementioned women have so much to give to us. To quote one RuPaul, these girls have the charisma, uniqueness, nerve, and talent to define a generation of women’s wrestling. The fact that many of them disappear for weeks-long (or even months-long) stretches for no other reason than “We don’t have anything for you” is unacceptable. If WWE can make time every week for Elias to strum a guitar, they can find time to showcase their female talent in a substantive way.

There isn’t really much more to say than that.

***

From the looks of things, the RAW and Smackdown women’s title matches at Clash of Champions should be bangers. And that’s exciting. At the same time, we can still want more.

If we’re lucky, in a month or two, “more” might just be what we get. I’m ready. Are you?

Stay legit bossy,
AC

Nylons and Midriffs: Back to School (SummerSlam Review, August 13, 2019)

Nylons and Midriffs

Image credit: newsweek.com

School is back in session, good wrestling fans! Well, for me, at least. After taking a must-needed break from WWE over the last several weeks, I am back to my old tricks — giving you the good, bad, and thorny from Sunday’s SummerSlam pay-per-view.

For the most part, I’ve not sat and watched weekly WWE TV during my summer break. I’ve kept up with storyline developments and other backstage news through wrestling news media. So, my analysis of specific segments and matches leading up to SummerSlam will be limited. Still, though, I’ll pepper in my thoughts about the build to the three women’s matches we saw on Sunday, as this will lead us into the sunset of the weeks following the Biggest Party of the Summer.

Open your textbooks, and let’s start this week’s discussion!

Women’s Tag Team Title Match: The IIconics vs. Alexa Bliss & Nikki Cross (c)

Image credit: wrestlinginc.com

To be frank, I didn’t watch this match because I didn’t realize it was even happening on the pre-show. I was going into the show blind (as I discussed above), and I never typically watch the pre-show to any pay-per-view besides WrestleMania. But, that doesn’t mean I won’t share my thoughts on the direction of the women’s tag titles, as that’s more significant than anything that could have happened in this match.

Firstly, I feel terrible for the IIconics. So much potential to make those belts mean something — if not for the tag team wrestling, the tag team unity instead. Billie Kay and Peyton Royce have a natural charisma that can’t be taught, and their real-life friendship makes anything they do between the ropes believable. But alas, they simply were not given the opportunity to shine.

As I’ve discussed in previous Nylons entries, it was clear from the outset that WWE didn’t really care about the women’s tag titles. And this was recently (allegedly) confirmed by insiders as well. This explains the absence of the titles (and titleholders) on TV for weeks on end. It seemed at certain points that the Kabuki Warriors could be next in line to challenge Billie and Peyton, but as we’ve come to expect from WWE when it comes to Asuka, they could never pull the trigger.

Enter Alexa Bliss…and Nikki Cross, by association. I guess WWE figured out that even if they don’t care about the titles that much, they could use them as a way to strap another one of their white, blonde faves. So, they put the titles on Alexa and Nikki. Now look, ultimately if this will get the titles on TV finally, it is a net positive. It’s just sort of eyeroll-inducing that they’ve found yet another title to give to Little Miss Bliss.

Hopefully they can build the tag division up moving forward, as one Boss n’ Hug Connection hoped to way back when…

Now, for the rest of the matches, we’re ironically going to go in order. The Good, Bad, and Thorny sections progressed throughout the night as the matches did. I will preface the below reviews with the statement that each match had good, if not great bits within it. But, as we’ll see, sometimes good isn’t good enough.

The Good
RAW Women’s Title Match: Becky Lynch (c) vs. Natalya

Image credit: pinkvilla.com

This match was very well done, as would be expected from two skilled wrestlers like Becky and Nattie. The two understood the assignment as a submission match, and they telegraphed their spots to fit this theme. The adversaries spent much of this match entangled with one another, desperately trying to one-up the other with technical submissions.

The two coolest spots of the match were Natalya’s sharpshooter on the top rope with Becky entangled in the ropes beneath, and the other was the superplex from the top rope. The former was a creative twist on a fairly straightforward submission; the latter just looked like it hurt. What’s more, I was particularly surprised that the two were allowed to do that superplex spot. It seems WWE tends to tease top rope slams often, but rarely allow wrestlers to fall from such heights — especially if the performers are women. I was glad to see both of them go for it!

As an aside, I think it’s about time we collectively put some respect on Natalya’s name. The woman is consistently good, a proud ambassador for WWE, and has more than paid her dues in her career. She pulled her weight in this match and so many others. It’s a shame that she’ll likely never get the meaningful title reign she probably deserves. But I think we should still give her her flowers while she’s still around to smell them.

The Bad
Smackdown Women’s Title Match: Bayley (c) vs. Ember Moon

Image credit: WWE.com

Ah yes, the match that had all the potential in the world to be great and just fell short.

The build to this match was lazy. Fans didn’t have a reason to care about either woman’s motivations going into it because neither were really given the opportunity to build a story together. Instead they acted as fodder for Nikki and Alexa’s storyline many weeks.

As a result of this, the match itself just felt off. You could tell there was little energy for either woman to feed into to keep the action interesting. The few memorable moments of the match came with Ember’s Codebreaker-type sequence to Bayley, and Bayley’s insane Bayley to Belly off the top rope that Ember sold like a champ. (I was honestly amazed at how limp Ember allowed her body to be as she fell from the air — a rag doll personified!)

But these moments were not enough to save the match in my view. Ultimately this match was sloppy in large bits, and I found myself wanting the transitions and reversals to look more crisp. Sloppiness can either be forgiven or corrected by good chemistry between two performers, and that’s what this match lacked. As a viewer I was taken out of the match at various points because I could see Ember and Bayley transitioning between parts of the match and anticipating pinning combinations.

On the whole, I think their wrestling styles clashed in an unfavorable way, and that sucks for both of them. But, I don’t think either of them should be ashamed for trying. The match wasn’t terrible, but I’ve come to expect more from each of them, which is the root of my disappointment.

The Thorny
Trish Stratus vs. Charlotte Flair

Image credit: theringreport.com

This match was arguably the most enjoyable of all the women’s bouts on the SummerSlam card. Trish absolutely has not lost a step, as she did a rendition of pretty much all of her greatest hits. There were such beautiful touches in this match including Trish’s patented chops, complete with a hand-lick before the final one, which doubled as a signature for Trish and a middle finger to Charlotte as a Flair. (The two would later go on to have a chop-off, which was equally as fun to watch.)

Perhaps the biggest pop of the match came when Trish somehow finagled her way into an inverted sunset flip of sorts to cinch in the Figure Four leg lock, that she even successfully transitioned into a Figure Eight bridge. I guess all that yoga has paid off, Miss Stratus!

Overall this was a fun, entertaining, and nostalgic journey of a match, due in large part as well to Trish’s capable opponent, Charlotte, who as usual put on a stellar heel performance.

So why, then, has this match landed in this section? Your eyes are not deceiving you. This match was largely great. However, my problem with this match is that it had to exist in the first place.

In the words of Tom Phillips: “It’s the biggest event of the summer, and what would it be without the Queen?”

There it is.

Charlotte, having spent the last three years in the title picture of both brands, found herself out of the women’s title picture and, thusly, without a match at SummerSlam. This match was transparently given to Charlotte as a way to get her on the card. And of course, if she couldn’t have a title match, they had to give her the next best thing: a match with a beloved legend as her foil.

I am going to smugly point out that the match that many fans had been clamoring for as a “one more match” dream match with Trish was against Sasha Banks. Both Sasha and Trish have expressed interest in this match over the last year or so, but of course Sasha’s absence from WWE at the moment made this match impossible. (And to be a little less biased, Trish had also expressed some interest in facing Charlotte.)

However, that isn’t the whole of what chaps my hide about this match. Upon hearing its announcement, my immediate first thought was: Who is this for? Who does this match benefit? You have Trish who doesn’t really benefit, because she could wrestle or not wrestle for the rest of time and still be loved by the WWE Universe. You have Charlotte who has already beaten Trish’s championship record, main evented WrestleMania, and has a host of other “firsts” to her name. Not only that, but she’s a Flair. She didn’t need the rub that this match could have given to literally any other woman on the roster besides Becky Lynch. She already has it all. Why do we need to give her more?

This match was for Vince McMahon. This was his wet dream of a match having his favorite blonde white women of the last 20 years in the ring fighting against each other. And that, at the root of it all, is one of WWE’s main problems. The writers, the decision-makers, only have one person in mind, and that is Vinny Mac. Whoever he likes, whatever he thinks is funny, whatever he thinks will sell. Even if he is woefully inaccurate with his estimations, it is his way or the highway.

And the result of this is that WWE continues to give the most “marketable” women the majority of opportunities. They give the prototypical stars (white, thin, blonde, etc.) all of the shine, while everyone else withers in the dark. The fact that a match was created to get someone on the card who is almost never absent from it is criminal in my view. Yes, it matters that Charlotte is good. I will never take that away from her; the woman is well on her way to GOAT status.

But I despise that there are so many other women that are just as good as Charlotte in the ring — that have the potential to get to her level of reverence in the wrestling world — but we don’t know who they are. In the most rudimentary way, we don’t know who they are. Because they’re not allowed to show themselves.

And hell, I don’t even mind that Charlotte won. I see the result of this match as poetic justice for Trish, who possibly righted a wrong from her original retirement match in 2006 wherein she went out as the victor. As a true wrestling elder, you are supposed to go out on your back, and that was fitting to see.

I just wonder what the landscape of women’s wrestling in WWE could look like today if they took the time to develop the Litas and Victorias and Molly Hollys and Jacquelines that helped to make Trish into the woman we saw on Sunday. For all of her success, Trish has never, ever missed an opportunity to sing the praises of the women who fought alongside her. I hope that one day Charlotte is able to do the same.

***

I’ll be back in a couple of weeks to run down how RAW and Smackdown are doing heading into the next pay-per-view. Ciao for now!

Stay legit bossy,
AC

Nylons and Midriffs: Best of Both Worlds? (July 2, 2019)

Nylons and Midriffs
Image credit: comicbook.com

Two weeks have passed, good wrestling fans, and I am still bored. I feel that every week I watch the WWE product, I sink deeper into an abyss of grey. I don’t feel any investment in the women’s storylines, but this is mostly because, as always, WWE is failing to create women’s stories outside of the main event title scenes.

While I suppose it is refreshing to see the likes of Ember Moon, Nikki Cross, and Sonya Deville get some airtime, all of their storylines miss the mark in some way.

Although I typically discuss the most recent pay-per-view separately from the weekly TV shows, I am not going to do that this week. Stomping Grounds was fine but mostly uneventful in terms of the women. But the events of the night for the women’s title storylines were continuations of some problematic patterns I’ve seen developing in the last couple of weeks. Let’s get started once again with The Bad.

The Bad

Image credit: WWE.com

Nikki Cross as an accessory. You may recall that when WWE first went with the pairing of Nikki Cross and Alexa Bliss, I was intrigued. This was when I believed that their relationship could either evolve into a crazed tag team pairing, or an intense rivalry to get Nikki Cross over. After several weeks of this story playing out, it appears that WWE is hesitant to pull the trigger on either idea. I do not like the way that WWE is using Nikki Cross as a stand-in for Alexa Bliss. It isn’t hard to figure out what’s going on here: Alexa has a history of concussions, and WWE has been extra cautious with her for the last year. They want to use her sparingly, but still involve her in main event storylines.

So what do they need in that situation? A representative, a lackey. Someone to get across Alexa’s heelish, manipulative persona, but also someone who has a gimmick that can be portrayed as gullible enough to do Alexa’s bidding. Enter Nikki Cross.

This storyline hits a wall for me because every segment with Alexa and Nikki feels like it only exists to further their storyline. The women that Nikki and Alexa have been in competition with in the last couple of weeks — Natalya, Naomi, even SmackDown women’s champion Bayley — don’t really have storylines of their own. They are merely plot devices in the pair’s larger story. All of these women have lost to Alexa and/or Nikki, so I am unsure how they benefit from this story as it is unfolding.

But even talking about the dynamic between Nikki and Alexa itself — I’m not sure if their pairing benefits Nikki, either. I do not like how Nikki is characterized as almost a child: a hyperactive being that listens to whomever talks nicely to her and trusts easily. A woman who has reached mental maturity would realize what Alexa is doing, and I feel that the writing of Nikki is making her look naive and unintelligent. Rather than infantile, we could have gone in another direction with Nikki. She could still be unhinged, but also cunning, or intuitive. She could have been more of a loner who doesn’t trust people.

Image credit: cagesideseats.com

But, the storyline has been going on for so long that I feel that WWE may simply continue it out of convenience, and then drop it when they get bored. But for now, it just feels that Nikki, as well as any woman that comes into contact with her and Alexa, are simply pawns in Alexa’s game.

Ember loses again. Taking a step back from that all-consuming storyline is the story between Ember Moon and Sonya Deville, with Mandy Rose as backup. As I predicted, Ember lost her first contest against Sonya. The bullied rarely benefit from feuds like this, and similar to the women I discussed above, it seems that Ember is just being used to further get Sonya and Mandy over. It made zero sense for Ember to lose their first matchup, and it only makes Ember look like a chump.

I don’t understand WWE’s weird tendency to make their female babyfaces look weak. It’s almost as if they can only see women as damsels in distress, and the only way the audience will know that they’re good is if we pity them.

And as a woman, I would just like to say: we don’t need your pity. We need your respect.

The Thorny

Becky loves Seth…but at what cost? As the universe is well-aware by now, Seth Rollins and Becky Lynch are dating. I, for one, was gushing over this news once it first came out. From a fan perspective, the two of them are uber cute together, and the fact that they are both top champions of their divisions makes them almost a fantasy power couple. They almost seem too good to be true.

So it shouldn’t have come as a surprise to myself and WWE fans when the company started to milk their relationship week after week. It began with just a few mentions here and there, then to a Becky run-in at the end of Stomping Grounds to save her man, and then into a full blown mixed tag match involving the both of them at the next pay-per-view. It’s only been about a month since they announced their relationship publicly, but collectively we are already growing tired of the obsessive association of the two, especially when there is really no need for there to be.

We talk about women here in Nylons, so I want to take some time to consider the effect that this is having on Becky. Let’s nuance her situation, both in the ring and out.

As a person, we should obviously be indifferent if not happy for Becky with her decision to be public with her relationship. I would like to believe that her Twitter “announcement” (if you could call it that) was a conscious and autonomous decision of hers. Women should be able to be as free or as private as they wish. And when we consider how many women in WWE, past and present, have acknowledged their partnerships on social media and onscreen, we have annals of evidence that the acknowledgment of the relationship can work, if not benefit both partners. An example that jumps to mind is Matt Hardy and Lita. They dated for several years in an era before social media, but we all figured out after some time that they were actually dating. Their onscreen chemistry was something to marvel, but it almost never ventured into something cartoonish or forced. They intervened in each other’s storylines when it made sense, but otherwise their careers remained for the most part separate from one another after Team Xtreme was no more. (Although you could argue things got dicey with the whole Matt-Lita-Kane storyline…I digress.)

It is entirely possible for a woman to have both a successful singles career and casual acknowledgment that her partner exists. But, of course, WWE is skipping the nuance and going for the heavy-handed “Look! It’s Seth! Becky’s boyfriend!”

Image credit: uproxx.com

For Becky’s gimmick, “The Man,” it feels awkward and uncharacteristic of her to give an “aw shucks” grin when Seth compliments her onscreen. She’s a leather-wearing badass who tries whenever possible to be tough and leave her “weak” emotions at the door. It undermines her gimmick to have her swoon over Seth in any degree, even if that may be Rebecca Quin’s genuine reaction to his presence. WWE is expecting Becky to play both herself and her character, but trying to do this only ruins the mystique that she’s taken so long to perfect. And that’s very unfortunate, especially when you consider tweets like the below:

Image credit: unprettypeony.tumblr.com

A worrisome comment, this casts doubt on how much say Becky has in the portrayal of herself and her relationship in storyline. In a perfect world, a woman would be able to have both her man and her success. It seems, though, that at their first opportunity, WWE chose to reduce their top female star to somebody’s boyfriend in a cheap ploy for ratings. While, yes, women in the past have had the best of both worlds, arguably none have reached the heights that Becky Lynch has. And WWE doesn’t know how to give Becky both worlds in a sensible, non-suffocating way.

Not to mention, why put Seth and Becky’s relationship under such strain! What if they break up? If things continue this way, I would not be surprised if they did.

Queer baiting. On last week’s SmackDown, after Sonya Deville disposed of Ember Moon in embarrassingly quick fashion, she shared a longing stare with her companion Mandy Rose. Sonya caressed some strands of Mandy’s hair while Mandy looked lovingly at her friend. The camera oddly lingered on this wordless exchange between the two, and I, as well as many others, picked up on it.

Fans and wrestling media alike began to speculate if this was a hint toward a potential romance storyline between Mandy and Sonya. I have little faith in WWE to carry a storyline to logical completion, but this is a frightful direction if they choose to go for it.

Sonya Deville is WWE’s first openly gay female wrestler, That’s amazing, and no one can take that away from her. However, with WWE’s track record of homophobic characterizations and storylines dripping with straight panic, this can only end badly. From Billy and Chuck, to Goldust, to Mickie and Trish, to even Sasha and Bayley, WWE doesn’t know what to do with gayness.

But the fact that this segment took place on the last SmackDown of Pride month does not feel coincidental at all. In fact, it felt opportunistic, and a little like queer baiting. Queer baiting is the act of suggesting two characters of the same gender may have romantic feelings for one another to hook queer viewers in, only to never have the two characters actually become a queer pairing. It is essentially a giant tease, a deception to keep gay folks tuning in if only for the mere possibility that something may happen between those characters. This is done, of course, to make money.

More often than not, the queer baiting tactic becomes apparent when, despite queer characterization, writers will put one or both characters in a heterosexual pairing. Sometimes, it will end with one character’s death. But the writers could also simply drop the characterizations altogether and pretend they never happened.

Given the most recent example of Sasha and Bayley, I feel that WWE may go the route of the third option. But in any case — they are absolutely wrong for making a last-minute attempt at banking in on Pride month. I hope this little glance between Mandy and Sonya becomes a figment of my imagination in a couple of weeks. We should accept nothing less than real and explicit gay representation. Anything short of that is a flop.

***

Now that both RAW and SmackDown are under new management, perhaps the women’s storylines will be refreshed. But, to me, it just looks like WWE has simply different straight white men power.

Different flavors of the same product. I crave a new recipe.

Stay legit bossy,

AC

Nylons and Midriffs: Brand New? (June 17, 2019)

Nylons and Midriffs

Image credit: WWE.com

I think all WWE fans can agree that the product is stale and stagnant as far as storytelling currently. With exception of the bright humor of the 24/7 title shenanigans, I can find little, if any, positive things happening on RAW and Smackdown at the moment. On paper, the main event and mid-card titles for both men and women are on arguably the most favorable people they could be on, with the likes of Rollins, Kingston, Lynch, Bayley, Balor, Joe, and the IIconics representing their respective divisions.

And yet.

Half of these people don’t feel important to their brands at all, and the other half are often eclipsed by multi-man tag matches or non-title feuds (ahem, Shane McMahon).

For the women, outside of Bayley and Becky being champs, there is nothing good, new, or interesting happening. It is the same recipe, just different day of the week it’s being prepared. In a first for Nylons, I am actually going to skip the Good section here.

Times are bleak, friends.

The Bad
I’ll talk about a singular segment that, in my opinion, highlights the core problem with the way WWE writes its female characters. On the past week’s Smackdown, a backstage segment with Ember Moon, Sonya Deville, and Mandy Rose seemed to set up a feud amongst the trio. In the clip below, Ember essentially loses it because Sonya knocked her handheld gaming console (Nintendo Switch?) out of her hands. There were nods to Ember’s real-life nerdy inclinations, with mentions of heroes and villains.

[youtube https://www.youtube.com/watch?v=uAMUfOVUozc&w=560&h=315]

It seems as if this storyline may be going the bullying route, and if that is the case, it would be a disappointing turn for Ember. Remembering the bullying storyline between Nia Jax and Alexa Bliss, the bullied character doesn’t exactly benefit from the feud. And given Mandy’s track record, with disrupting the life and marriage of another black woman (Naomi), I don’t exactly have faith that WWE would put over a younger, more subversive black female talent like Ember in the end.

With this probable mishandling of Ember and her gimmick, WWE once again fails one of its performers by misunderstanding gimmicks that bite the mold they are used to. They have the bitchy, condescending white woman down to a near-perfect science. Anything that falls outside of that, especially for women of color, the writers simply don’t know what to do with. And I reiterate, this is why it is important to have diversity in writers’ rooms and higher leadership on any media project.

Image credit: TVinsider.com

As a black woman, I know nerdy black girls like Ember Moon. Heck, to a certain extent, I am one of them! But, for so long, we’ve been fed a certain image of black women, Latinx women, Asian women. That isn’t an accident; it is the working of white supremacy. Many people can only digest women of color if they are a highly specific flavor. People got Ember in NXT because she was allowed the space to explain to us her character, and then back it all up in the ring. Here, on the main roster, she is lost and forced into a very two-dimensional box. Instead of allowing Ember to show her charisma and uniqueness in the ring, we have to see her be picked on as evidence that she is different. It is simply another way to Other her, even if she does come out on top.

In addition, I detest how the trope of the deranged woman applies to any woman who has a slightly out-there gimmick. It works on Nikki Cross — it is even somewhat acceptable with Alicia Fox. But to see it happening, again, with another black woman, is so irksome. “Crazy” is not a stand-in for “eccentric,” and it is possible that women can be aggressive and quirky without being portrayed as unhinged. A man wouldn’t be written to simply scream into the void if someone knocked some of their things down. He would most likely beat the other person’s ass on the spot. Therefore, I want my women written the same way. Human beings, not caricatures.

Also, can we find no better way to set up women’s storylines than to involve catty disagreements? Alexa Bliss’ qualms with Bayley supposedly began because Bayley was mean to her on social media once. Is this a joke? I sound like a broken record, but we would never make this the center of a men’s feud. It is so childish, and I wish with all of my being that people could see women as whole, complicated beings who can handle conflict in sensible ways. It isn’t just inaccurate — it’s insulting to any woman watching to see mean girl antics be the centerpieces of our stories.

The Thorny

Image credit: thechairshot.com

A couple of weeks ago, there was a #1 contender’s match for the Smackdown Women’s championship. Exciting, yes. In a landscape of Kairi Sanes and Ember Moons and Asukas, exciting new matchups were surely right around the corner.

Only in this match, the competitors were Carmella, Charlotte Flair, and Alexa Bliss. And my thought was immediately…of course.

Carmella, to be fair, has had a precarious position in the main event scene since she was called up from NXT. But, because of that, she felt like a decent shot to include in that match. With Charlotte and Alexa, however, there are no excuses. These two have consistently been at the top of the women’s division for the last three years. They’ve never fallen to the back of the line, and if they did, it was because they physically could not wrestle (in Alexa’s case).

We have a field of some of the most talented women on the planet, and WWE thinks, “Yes, let’s continue to push the blonde white women.” Not only that, but the two women with the most championship reigns of all of the women by a long shot. The only woman that comes close in quantity of reigns is Sasha Banks, and look where she is right now. Charlote and Alexa have the most reigns, and some of the longest reigns at the top. I just do not understand why leadership in WWE don’t tire of seeing the same types of women at the top. Well, I do know why, and it’s because of money…and racism. A false sense that women like Alexa and Charlotte are more marketable, and in turn lucrative, and the determination to keep a racial hierarchy in place.

Image credit: wwe.cityblog.ng

Suffice to say, I would be surprised if Bayley came out on top at Stomping Grounds. Perhaps the result of that match will be the launching pad for the next post’s discussion.

***

To you, the reader, I’d love to hear your thoughts on where the product is right now with the women. Or even better, where we can throw our support in the wrestling world to amplify promotions that are getting women right. I’ll be imagining that world for WWE, until next time.

Stay legit bossy,
AC